{"version":"1","chapters":[{"title":"Opening Excerpt","startTime":0,"endTime":20},{"title":"Introduction","startTime":20,"endTime":280},{"title":"Ammiel's core artistic mission","startTime":280,"endTime":450},{"title":"Schubert 200 Project","startTime":450,"endTime":763},{"title":"Schubert’s late Lied works: why they matter","startTime":763,"endTime":786},{"title":"Excerpt: Auf der Bruck with Samuel Hasselhorn","startTime":786,"endTime":1151},{"title":"the origins of Schubert 200","startTime":1151,"endTime":1390},{"title":"Why Schubert still speaks to modern listeners","startTime":1390,"endTime":1618},{"title":"Cultivating new audiences for Schubert today","startTime":1618,"endTime":1835},{"title":"Recording Schubert’s complete solo 🎹 works","startTime":1835,"endTime":2143},{"title":"Schubert’s short life, vast output","startTime":2263,"endTime":2503},{"title":"Excerpt: Impromptu in G-flat Major","startTime":2503,"endTime":2538},{"title":"Ammiel’s perspective on Schubert’s Impromptus","startTime":2538,"endTime":2895},{"title":"Excerpt: Erlkönig, with Konstantin Krimmel","startTime":2895,"endTime":2988},{"title":"the meaning of Liedbegleiter","startTime":2994,"endTime":3348},{"title":"Songs Without Words, Op. 19 No. 1 ","startTime":3348,"endTime":3363},{"title":"The return of Schubertiaden in the 21st c","startTime":3363,"endTime":3589},{"title":"on teaching","startTime":3589,"endTime":4120}]}