{"version":"1","chapters":[{"title":"Excerpt: \"Tarantelle\" by Pauline Viardot (1821-1910) – Performed by Miguel Borrego (v) & Isabel Dobarro (p)","startTime":31,"endTime":102},{"title":"INTRO","startTime":103,"endTime":430},{"title":"Discussion: Isabel's Newly Released Album, Kaleidoscope – Works by Women Composers","startTime":431,"endTime":526},{"title":"Motivation Behind Promoting Music by Women Worldwide – What Sparked Isabel’s Passion?","startTime":527,"endTime":785},{"title":"Uncovering the Origin of the Album Title, Kaleidoscope","startTime":786,"endTime":855},{"title":"A Closer Look at the Composers and Pieces in Kaleidoscope","startTime":856,"endTime":959},{"title":"Excerpt: Buenos Aires, Despierta y Sueña by Argentine composer Claudia Montero (1962–2021), from Isabel's latest solo album, Kaleidoscope.","startTime":960,"endTime":1005},{"title":"Continue on with A Closer Look at the Composers and Pieces in Kaleidoscope","startTime":1006,"endTime":1288},{"title":"Isabel's Approach to Programming: Curating Works to Tell a Story and Enhance the Listener's Experience","startTime":1289,"endTime":1499},{"title":"How Kaleidoscope Aims to Elevate Women Composers Globally and Showcase Musical Diversity Across Cultures","startTime":1500,"endTime":1619},{"title":"How the “Women in Music” Initiative Shaped Isabel’s Artistic Journey and Led to the Creation of *Kaleidoscope*","startTime":1620,"endTime":1755},{"title":"Challenges in Promoting Women Composers—Both Living and Dead—in Classical Music Spaces Dominated by Historical Male Composers","startTime":1756,"endTime":2015},{"title":"Memorable and Positive Experiences in Promoting Music by Women Composers","startTime":2016,"endTime":2151},{"title":"The Current Standing of Female Artists and Educators in the Industry: What Progress Has Been Made?","startTime":2152,"endTime":2383},{"title":"Isabel’s Plan to Promote Women Composers by Performing and Showcasing Pieces from Kaleidoscope","startTime":2384,"endTime":2491},{"title":"Message from Our Sponsor of the Month: Musician’s Path to Peak Performance by Dr. Jon Skidmore. Visit drjonskidmore.com to learn more!","startTime":2492,"endTime":2594},{"title":"Advocacy Beyond Music: Isabel’s Involvement with Women’s Rights and the UN’s Sustainable Development Goals, Including Her Opportunity to Speak at the U.N.","startTime":2595,"endTime":2996},{"title":"Isabel’s Journey into International Relations: Studying at Harvard, Her Interest in Diplomacy, and Connections Between Music and International Affairs Support Gender Equality and What Changes Are Still Needed","startTime":2997,"endTime":3307},{"title":"How the Music Industry Can Better Support the Cause and What Changes Are Still Needed","startTime":3308,"endTime":3454},{"title":"Highlights of Isabel’s Career as a Performing Artist","startTime":3455,"endTime":3552},{"title":" Promoting Spanish Composers: Organizing the Festival Granados at NYU, Premiering the Reconstructed Piano Concerto in C Minor, Patético, and Showcasing Contemporary Spanish Music","startTime":3553,"endTime":4003},{"title":"Art, Activism, and Social Change: How Artists Can Use Their Platforms to Advocate for Social Progress","startTime":4004,"endTime":4118},{"title":"Embracing a Multifaceted Career: Isabel’s Thoughts on Being a Pianist, Activist, and International Law Advocate in Today’s World","startTime":4119,"endTime":4435},{"title":"Thoughts on Maintaining the Relevance of Classical Music and Ensuring the Industry Thrives in the Modern World","startTime":4436,"endTime":4592},{"title":"Thoughts on the Duty of Classical Musicians to Society at Large","startTime":4593,"endTime":4699},{"title":"Upcoming Projects and Collaborations Beyond Kaleidoscope – What’s Next for Isabel?","startTime":4700,"endTime":4844},{"title":"The Future of Merging Music and Advocacy: Isabel’s Vision for Advancing Women’s Rights and Gender Equality","startTime":4845,"endTime":4963},{"title":"TPP Rapid Fire Questions!","startTime":4964,"endTime":5316}]}