{"version":"1","chapters":[{"title":"Intro","startTime":0,"endTime":184},{"title":"Nnenna’s Early Years/Training: from Her Father’s Influence to the Fulbright Award","startTime":184,"endTime":732},{"title":"Excerpt: Dr. Ogwo’s Brilliant Performance of “Take Nabandji” by Samuel Coleridge-Taylor at the “On Blackness and Being, vol.2” Event at Third Street Music ","startTime":732,"endTime":782},{"title":"May 2023 Release of Nenna’s Album, Luminous, Dedicated to Her Late Mother","startTime":782,"endTime":1568},{"title":"How creative work can help us process and cope with the sense of loss and grief.","startTime":1568,"endTime":1713},{"title":"Commencing Artist in Residence Journey as part of a cohort of 7 Women Artists of Color at Bunker Hill Community College","startTime":1713,"endTime":1943},{"title":"Message from the Executive Producer of The Piano Pod, Yukimi","startTime":1943,"endTime":2030},{"title":"Fostering Inclusivity in Classical Music: Beyond Repertoire Selection in the Post-George Floyd Era","startTime":2030,"endTime":2384},{"title":" Our Duty or Gift as Classical Musicians to Society at Large","startTime":2384,"endTime":2576},{"title":"The Next Phase/Goal for Nnenna and Juneteenth LP","startTime":2576,"endTime":2695},{"title":"TPP Rapid Fire Questions","startTime":2695,"endTime":2888}]}